For
thirteen consecutive summers I’ve been faking it. For three weeks every July
since 2004 I’ve been posing as a drama teacher, exploring art and its meanings,
and tolerating Christianity and homeschooling. Well, at least not saying
anything about them. I’ve taught performing arts at this summer school since
before I was married, before I was a father, since I could still say
emphatically that I was young, and it has become a major part of my life. For
several years I did not know how to let it go. Family needs and my own growth
have called for me to end my time at in in 2016, when even in 2015 I had openly
wondered how I could quit it at all.
As a
means of catharsis I’m going to talk through that most were holding me in, and
without dwelling on the personal reasons I have left, will speak further on one
aspect I’m mostly happy to leave behind.
1) Art.
As I said, this was a performing arts school in a camp environment. The days
were long, with classes and then rehearsals extending into the very late and sometimes
wee hours. Three solid weeks. The down times—usually between classes or late at
night—I buried myself in my own art. Writing, reading, studying. I felt like I
was always operating on a higher plain of cognition. For years I was concerned
that I couldn’t abandon this because my art would suffer. However, I’ve grown
as an artist, matured, blossomed. I am confident every day that I wake up as an
artist and lay my head down as one, no matter what happens between. I no longer
need the prop, though I am grateful for its place in my growth.
2) Going
back to the well. You can live as artfully as you want but if the demands of
career and family mean you can’t give time to your art, just what sort of an
artist are you? And when you’re only scratching out a few minutes per day
(week?) for your art it become frustrating. You need the selfish binging once
in a while. Staying out of town at this Summer School allowed me to do that. I
know how to make time for myself—not three weeks, certainly, but time—my wife
knows I need it, we’re both fine when I take it. And when I do, it’s just for
me all day. No school in the mean time.
3) Friendship.
The staff at this school have all been involved for a long time. They’re some
of my best, most respected friends. The junior staff are every one of them
former students of mine. I always marvel at how respected I am there, how much
authority my word carries, how much people internalize my words and ideas and
advice. I don’t know anywhere that I am that unquestioningly loved. For the
longest time this was the one I worried I could never replace. Then I got to think
about my full-time best friends. They do
love me, but they also question me. And this grows me. Friendship means you can
be yourself, but if it’s only a sycophantic relationship for your own ego, it
doesn’t grow you. Friendship should grow you as a person, evolve you, challenge
you. And as much as I love these former people, because the friendships were
such short bursts of our lives, it could only be ratifying. Another sort of
return to the well.
4) Jesus.
I am not a Christian, and this is a Christian school. Part of it is supporting
a Passion Play. The majority of the students are from actively Christian
families, and many of those from wide-eyed fundamentalists. Many of the
students are regularly homeschooled, a form of education I’ve always been very against. Very little of what I’m doing at this school—other than
the art itself—lines up with my views of education. I am happy to leave that
aspect behind, of biting my tongue and pretending to be—or maybe better put, of
allowing myself to be thought without disagreeing openly—something I’m not. I’ve
gained a lot of tolerance for religious diversity over the years, but haven’t
gained any for those who are not. I remain the Good Samaritan amongst
Philistines.
Thirteen summers is a third of
my life. It’s a pretty big deal for me to finally be walking away. But it’s
time, long since. I’m better for having it, and better for leaving when I’m on
top.
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